“it's a disc of musical discoveries, conveyed in compelling performances and warm, close sound.”
Read More
“~Nois’s rich ensemble tone and dexterous rhythms serve the music quite well. One can readily hear that a lot of preparation was put into Kinds of ~Nois, as the performances are note-perfect and assuredly interpreted.”
Read More
BIG TALK and Hazel, from Kinds of ~Nois featured on ASCAP’s New Music Friday
Read More
E, bone amourette / La rotta della Manfredina, from Love to my Liking featured on Spotify’s The Edge of Classical
Read More
American Counterpoints by The Experiential Orchestra, James Blanchly, and Curtis Stewart debuts at #3 on the Billboard Traditional Classical Charts
Read More
James Blanchly and Curtis Stewart interviewed by Julie Amacher for YourClassical about American Counterpoints.
Read More
Gemma Peacock’s Dwalm from Kinds of ~Nois featured on New Sounds, hosted by John Schaefer.
Read More
“There aren’t too many albums, however good they might be, that make me stop everything all at once to listen to a second time. This is that album.”
Read More
American Counterpoints featured on Tyler Klien’s Modern Notebook
Read More
“American Counterpoints shines a much-deserved light on two important, and thankfully rediscovered, figures in American classical music.”
Read More
American Counterpoints featured on Apple Music’s New In Classical and Tidal’s Classical New Albums.
Read More
Coleridge Taylor’s Sinfonietta No. 1, from The Experiential Orchestra’s American Counterpoints featured on Tidal Encore: New in Classical.
Read More
Count Me In, from Kinds of ~Nois featured on Apple Music’s New In Classical.
Read More
Count Me In, from Kinds of ~Nois featured on Tidal The Avant Garden.
Read More
Coleridge Taylor’s Louisiana Blues, from The Experiential Orchestra’s American Counterpoints featured on Tidal Encore: New in Classical.
Read More
Julia Perry’s Prelude for Strings, from The Experiential Orchestra’s American Counterpoints featured on NPR Classical.
Read More
Coleridge-Taylor’s Louisiana Blues Strut, performed by Curtis Stewart and The Experiential Orchestra, featured on Spotify’s Classical New Releases.
Read More
Curtis Stewart and James Blachly interviewed by Jennifer Hambrick for WOSU Classical 101 about American Counterpoints.
Read More
“To play Beethoven’s string quartets on saxophones sounds like a gimmick, but the Sinta Quartet approaches its task with seriousness, and the results do not have the negative whiff of ironic novelty.”
Read More
“Re-contextualizing 12th-century texts and melodies into a package of psychedelic synth-pop could seem a bit of a stretch. Alkemie’s latest project somehow makes it seem perfectly natural.”
Read More