WILD UP

Called “a raucous, grungy, irresistibly exuberant…fun-loving, exceptionally virtuosic family” (New York Times), Wild Up has been lauded as one of new music’s most exciting groups by virtually every significant institution and critic within earshot. Artistic Director Christopher Rountree founded the orchestral collective in 2010 to challenge traditional concert practices by experimenting with diverse methodologies, approaches, and contexts. After a decade and a half of rampant creativity and curiosity, Wild Up is the ambassador of West Coast music. The group has collaborated with a wide range of composers, performers, and cultural institutions, premiering and creating several hundred new works. We partnered with the LA Phil and REDCAT to present a two-month long festival and gallery exhibition “To The Fullest: The Music of Arthur Russell and Julius Eastman,” accompanied Björk at Goldenvoice’s FYF Fest, sang into a Picasso with Pamela Z at LACMA, and created Democracy Sessions—playing against growing autocracy with Raven Chacon, Ted Hearne, Chana Porter, Ursula K. LeGuin, Harmony Holiday, Saul Williams, and Karlheinz Stockhausen at MOCA. We premiered David Lang and Mark Dion’s Anatomy Theater at LA Opera, often collaborated with the Martha Graham Dance Company, and performed scores for Under the Skin by Mica Levi and Punch-Drunk Love by Jon Brion at the Regent Theater and Ace Hotel. We were booed out of Toronto for playing a piece too quietly. Wild Up premiered a new opera by Julia Holter at National Sawdust, debuted an avant-pop work by Scott Walker at Walt Disney Concert Hall, sustained 12 hours of Ragnar Kjartansson’s Bliss at REDCAT, and championed Julius Eastman’s music worldwide. We blared a noise concert as fanfare for the groundbreaking of Frank Gehry’s building on Grand Avenue and First Street. The group has been lavished with praise by The New York Times, The Wall Street Journal, The Los Angeles Times, The New Yorker, The Washington Post, NPR, Pitchfork, and many more publications and critics.