“Stewart buttons the album with one of his own compositions. We Who Seek is a five-minute ear-tease combining rap and electronics with samples from Perry’s psalm setting.”
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“…American Counterpoints is accordingly bittersweet, celebrating in Perry’s birth-centenary year the prowess of both composers in interweaving quasi-tonal lines and rich textures to create distinctive and highly inventive, abstract modernist music.”
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“On this splendid recording, violinist Curtis Stewart and Experiential Orchestra Music Director James Blachly make compelling cases on behalf of the composers and the enduring value of the work they produced.”
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“It is a fine example of the sober yet seething angularity of its era, leavened with warm strings and hints of Coplandesque expansiveness.”
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“it's a disc of musical discoveries, conveyed in compelling performances and warm, close sound.”
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American Counterpoints by The Experiential Orchestra, James Blanchly, and Curtis Stewart debuts at #3 on the Billboard Traditional Classical Charts
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James Blanchly and Curtis Stewart interviewed by Julie Amacher for YourClassical about American Counterpoints.
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“There aren’t too many albums, however good they might be, that make me stop everything all at once to listen to a second time. This is that album.”
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American Counterpoints featured on Tyler Klien’s Modern Notebook
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“American Counterpoints shines a much-deserved light on two important, and thankfully rediscovered, figures in American classical music.”
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American Counterpoints featured on Apple Music’s New In Classical and Tidal’s Classical New Albums.
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Coleridge Taylor’s Sinfonietta No. 1, from The Experiential Orchestra’s American Counterpoints featured on Tidal Encore: New in Classical.
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Coleridge Taylor’s Louisiana Blues, from The Experiential Orchestra’s American Counterpoints featured on Tidal Encore: New in Classical.
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Julia Perry’s Prelude for Strings, from The Experiential Orchestra’s American Counterpoints featured on NPR Classical.
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Coleridge-Taylor’s Louisiana Blues Strut, performed by Curtis Stewart and The Experiential Orchestra, featured on Spotify’s Classical New Releases.
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Curtis Stewart and James Blachly interviewed by Jennifer Hambrick for WOSU Classical 101 about American Counterpoints.
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Julia Perry’s Prelude for Strings from The Experiential Orchestra’s American Counterpoints featured on ASCAP’s New Music Friday.
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Julia Perry’s Prelude for Strings from The Experiential Orchestra’s American Counterpoints featured on Spotify’s Classical New Releases.
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